“Classical music isn’t to be danced to, it doesn’t necessarily remind you of your first snog or your first bust up – those inestimable, moving and essential services are certainly part of popular music’s draw and connective power. Classical music, since that is what we must call it, is something else. It must be payed attention to. It is not wallpaper or “the soundtrack to one’s life” as much other music in my life (happily) is. It is Art. There, I said it and I can’t and won’t apologise for making that distinction. I’d go the gallows for it. And while you may think me an elitist, I have never in my 40 years of engaging with such music encountered the snobbery that is routine amongst listeners to popular sounds, who tell you with absolute cutting certainty that this artist is “crap” and this one is “god”. I can remember the embarrassed parties at which older teenagers would muscle up to my hopeful record deck and sneer “Haven’t you got any decent music?” Some people in the classical sphere will always prefer Couperin to Alkan or Debussy to Rossini, naturally, but it’s very very rare to find the equivalent curled lip condescension as one’s music collection or playlists are “inspected” by some self-appointed schoolboy DJ.” — The New Adventures of Stephen Fry [x]

The New Adventures of Stephen Fry

“There are all kinds of pedants around with more time to read and imitate Lynne Truss and John Humphrys than to write poems, love-letters, novels and stories it seems. They whip out their Sharpies and take away and add apostrophes from public signs, shake their heads at prepositions which end sentences and mutter at split infinitives and misspellings, but do they bubble and froth and slobber and cream with joy at language? Do they ever let the tripping of the tips of their tongues against the tops of their teeth transport them to giddy euphoric bliss? Do they ever yoke impossible words together for the sound-sex of it? Do they use language to seduce, charm, excite, please, affirm and tickle those they talk to? Do they? I doubt it. They’re too farting busy sneering at a greengrocer’s less than perfect use of the apostrophe. Well sod them to Hades. They think they’re guardians of language. They’re no more guardians of language than the Kennel Club is the guardian of dogkind.” — The New Adventures of Stephen Fry

The New Adventures of Stephen Fry

“Everything we know may be wrong, but art helps us believe that everything we feel is right.” — The New Adventures of Stephen Fry [x] 

The New Adventures of Stephen Fry

“I sometimes think that when I die there should be two graves dug: the first would be the usual kind of size, say 2 feet by 7, but the other would be much, much larger. The gravestone should read: ME AND MY BIG MOUTH.” — The New Adventures of Stephen Fry

“Certainly Wilde was witty, certainly he is remembered for firing off epigrams like a belt-fed mortar. But look properly at the man and his works and you will see that the spirits that most animated him were in fact those of sympathy and imagination., which are really one spirit. Wilde was an artist; he was of course prince among artists in his time. He championed art above everything. But that is because he understood that art is the product, not of intellect, wit or superior faculties of understanding, but of imagination. As it happens he had intellect, wit and superior faculties of understanding and he had them in spades. Such qualities can make a critic, a businessman, a lawyer, a politician, a scholar or a general. They can fit a person to be almost anything; anything, that is, but an artist. To be sure they are fine qualities for an artist to have, but they are not necessary or sufficient for the making of an artist. For that what is needed is imagination.” —

“Those who think manic depression is a “celebrity disorder” made up by tabloid cuties to excuse their excesses, addictions and descents into bad behaviour, should look at mental health’s most serious victims: the marginalised, the poor, the ethnically isolated, the lonely. They have no voice, save the jeers of stone and insult throwing louts, it is they who form the silent majority of sufferers.” — Mind Out, The New Adventures of Stephen Fry

“I was so nearly an American. It was that close. In the mid-1950s my father was offered a job at Princeton University – something to do with the emerging science of semiconductors. One of the reasons he turned it down was that he didn’t think he liked the idea of his children growing up as Americans. I was born, therefore, not in NJ but in NW3.
I was ten when my mother made me a present of this momentous information. The very second she did so, Steve was born.
Steve looked exactly like me, same height, weight and hair colour. In fact, until we opened our mouths, it was almost impossible to distinguish one from the other. Steve’s voice had the clear, penetrating, high-up-in-the-head twang of American. He called Mummy ‘Mom’, he used words like ‘swell’, ‘cute’ and ‘darn’. There were detectable differences in behaviour too. He spread jam (which he called jelly) on his (smooth, not crunchy) peanut butter sandwiches, he wore jeans, t-shirts and basketball sneakers rather than grey shorts, Airtex shirts and black plimsolls. He had far more money for sweets, which he called candy, than Stephen ever did. Steve was confident almost to the point of rudeness, unlike Stephen who veered unconvincingly between shyness and showing off. If I am honest I have to confess that Stephen was slightly afraid of Steve.
As they grew up, the pair continued to live their separate, unconnected lives. Stephen developed a mania for listening to records of old music hall and radio comedy stars, watching cricket, reading poetry and novels, becoming hooked on Keats and Dickens, Sherlock Holmes and P. G. Wodehouse and riding around the countryside on a moped. Steve listened to blues and rock and roll, had all of Bob Dylan’s albums, collected baseball cards, went to movie theatres three times a week and drove his own car.
Stephen still thinks about Steve and wonders how he is getting along these days. After all, the two of them are genetically identical. It is only natural to speculate on the fate of a long-lost identical twin. Has he grown even plumper than Stephen or does he work out in the gym? Is he in the TV and movie business too? Does he write? Is he ‘quintessentially American’ the way Stephen is often charged with being ‘quintessentially English’?” —